The twist is that the art is murder, and the stage is comprised of the papers, the radio, the courthouse, and the all-devouring public eye. She is initailly naive but learns quickly, rising into the blaze of limelight while an older, more experienced rival resents the new face that's stealing the show. Told one way, the story of "Chicago" sounds like a showbusiness drama: a young girl dreams of stardom. And yet, the urge to root for the bad guys is somewhat unsettling, for "Chicago" is a story about people beating the rap by manipulating the public, illiciting their sympathy and playing on their deep-seated need for the bizarre and bloody. Such is the case with "Chicago"-the film features a large rogue's gallery of criminals, con men, and crooks, yet most of these are surprisingly likeable. Maybe it's a form of catharsis-instead of inflicting violence on other people, we watch someone onscreen do so and cheer them on. They do things we would never condone in our peers, yet still manage to elicit our sympathy. Fictional characters, as a whole, get away with more than is permissible in reality.
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